Painted Horses Cover

“Engrossing . . . The best novels are not just written but built—scene by scene, character by character—until a world emerges for readers to fall into. Painted Horses creates several worlds.” —Bob Minzesheimer, USA Today (4 out of 4 stars)

“Perhaps what really sets Brooks apart as a writer is his lush, breathtaking prose that expertly captures the raw essence of an American West known for its wide-open spaces and unbridled spirit. . . . By the end of Painted Horses, it’s hard not to feel as though you’ve traveled to the end of the Earth (or beginning of time) and back in a whirlwind of dust and words. . . . This masterful book? This one’s all [Brooks’s] own.” —Alexis Burling, San Francisco Chronicle

“From its filmic geographical canvases and epochs to its mesmerizing close-ups of men, women and horses whose weaknesses, wounds, and powers are in plain paradoxical view, Malcolm Brooks’ novel-making is always skilled and often breath-taking. There isn’t a passing landscape, archaeological wonder, minor character, dialect, or wild horse in this story that isn’t convincing. And the broken but magic horseman, John H, is for my money one of the great characters of Montana’s estimable literature.” —David James Duncan, author of The Brothers K and The River Why

“There is both great beauty and muted sorrow in Brooks’s descriptions of the wild Montana landscape and John H’s vanishing way of life. . . . Painted Horses vividly evokes an earlier time, a place and a way of being that is at the cusp of great change. In his gift for the language of horses and the culture of horsemen, Brooks will inevitably recall Cormac McCarthy. And like Ivan Doig in Bucking the Sun, he mines one of the darker veins in the mythology of the American West.” —Molly Gloss, The Washington Post

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